In 1988, Alberto Posadas met the composer Francisco Guerrero, whom he considers his true master. With him, he explored new forms through techniques such as combinatorics and fractals. The self-determination and the quest to integrate aesthetics into these processes lead the composer to seek other models, such as the transposition of architectural spaces into music, the application of topological and painting techniques, or the exploration of acoustic phenomena at a microscopic level.

Posadas began his career in electroacoustic music as a self-taught artist. His interest in the involvement of movement in the electronic transformation of sound led him to collaborate with choreographer Richard Siegal and the IRCAM on Glossopoeia in 2009.

https://brahms.ircam.fr/fr/Alberto-Posadas